Today we salute Rupert Parks a.k.a. Photek. Beatmaker extraordinaire originally from St. Albans in the UK now residing in L.A. Inspired by the great jazz percussionist as well has detroit techno legends he's legendary for his precision beat making process where every hihat, crash and snare gets all love and attention it needs to come out just right. His philosphy is to approach each track is if it was his last track ever to come out. No fillers. He spent a full twelve weeks to put together the track below, Ni ten ichi ryu. Its drum pattern is based on the samuari two sword technique.
Rupert's beats have been a great source of inspiration for beatmakers from all genres. On his 1994 release Natural born killa EP (Metalheadz) he dropped the track Into the 90's that was one the the tracks that started the confusion among DJ's at which speed his tracks were supposed to be played (since they sounded great at both 33 rpm in a hiphop blend as well as at 45 rpm in a more uptempo set). Later he explained that Into the 90's refered to BPM and not the decade.
In L.A. he's appearantly scoring soundtracks for Hollywood and for the first time in a very long time he has a new EP out entitled Avalanche. Available at photek.fm
As a bonus here's the video for his amazing 1995 chop-up remake of Thearpy's Loose:
French beatmaker 7even sun is back. Today he released his new instrumental album Another dimension on his Number 24 Records imprint. 17 tracks covering a wide range of styles but what they have in common is that trademark French 90ies soulful touch. Great headphone music for the daily commute. Available now from his bandcamp
7even sun - Light blue lights
7even sun - I count the stars
As an album release treat he also put out a free beat tape entitled Digital Dust Beat Tape 2006-2008. Get it here: Digital Dust Beat Tape
One of our favourite beatmakers, Slakah, just dropped a new beat tape via Twitter. Smooth, deep and on point as always. Appearantly he's currently working on Ver.5. We haven't been able to locate the other parts in the series yet, but be sure we'll share them as soon as we do. Give it a listen and then grab it below:
Considering our wallpaper is a photo of beat mecca L.A. we thought it was about time to bring back this goodie from last year on the same theme. Hourglass sea (Dean Bentley) is a new producer from the UK putting out tracks in the vein of Hudson Mohawk with Nintendo 8-bit touch (you'll understand what we mean when you hear the track). His tracks reminds us of how those early dirty Fat Boy Slim twelwe inches sounded before he broke into the charts. Here's his debut single from last year:
I've had this post as a draft for over a year and half now. I've been meaning to write about the stunning Seiji track I can't let it go. This morning there was a tweet from Swedish journalist Andres Lokko that got me going. He wrote about a slow pitched house subgenre on cough syrup called Night bus. Say the name out loud to your self and you'll now what it sounds like. Or as Andres put it (freely translated):
"It's UK dance music that is the offspring of drum'n'bass, raised by dubstep, just out of high school and now has to lead its own life. The mass of these subgenres are like a self supporting ecosystem that possesses the skill to provide the perfect soundtrack for every hour of the day, every situation, feeling or mood.
Night bus is the sound of the feeling that you only experience in the haze between leaving the club and turning in your bed. The feeling between the excited expectations of going out and the despair of early morning. That's what night bus sounds like"
Seiji's track is the perfect example. It is broken yet laidback, it was soulful yet brick hard, it had that 90ies dubsound yet very up-to-date. Simply a stunning piece of soulful underground music! And it's available as a free download here: